After years of riding and recording hundreds of MTB clips for the Suspension Traveler YouTube channel, I fine-tuned my preferred settings for cinematic, fast POV videos – using GoPros and DJI action cameras.
I always get comments asking how I make my videos look so immersive and true-to-life – how they look as intense as it feels when riding.
Key Takeaways
Camera settings to get fast, intense footage:
Here’s one of my MTB videos of all the above in action:
And I’ll show you exactly how I make my POV action cam footage look fast. Feel free to steal my exact setup for your own videos!
Motion Blur
There are two components to getting natural motion blur: framerate (FPS) and shutter speed.
Framerate
Stop using 60 fps for action-sports. High frames per second have nothing to do with “action”.
Movies are shot in 24p, 25 or 30p – that’s why they look so realistic and natural. And you can make your videos look cinematic this way.
60p looks unnaturally crisp on the other hand. It’s used for slow-mo shots – to slow down footage to 30p at half the speed. At regular playback speed, 60 fps just looks slow because it lacks any natural blur.
Shutter Speed
Playing with shutter speeds is more advanced and is a balance with stabilization. Electronic image stabilization requires a fast shutter, but the slower the shutter, the more motion blur you get.
My shutter and ISO settings for ND filters
- Stabilize anything: Shutter 1/320 and ISO max 1600 with ND4.
- Sweet spot: 1/240 and ISO max 1600 with ND4 or ND8.
- Helmet cam: Shutter 1/120 and ISO max 800 with ND8.
- Smooth rides and helmet mount: 1/60 and ISO max 400 with ND8.
If you want awesome, cinematic motion blur, you need to have your shutter setting fixed at a slow setting. And ND filters allow you to do that without making everything too bright.
Stabilization – less is more
More stabilization for smoother footage. But what if your rides aren’t smooth at all?
A little camera shake never hurt nobody. Too much shake and footage gets unwatchable, too little and it looks like a boring drone video.
I found the maximum stabilization settings like Rocksteady+ and Hypersmooth Boost work almost too well.
Instead, I go with regular Rocksteady and Hypersmooth “On” to allow for the occasional bounce when things get rowdy.
It adds to the intensity.
Bonus: Higher stabilization settings also reduce the FOV. That’s two reasons to avoid it.
Field of View – more is more
I’m sure you’ve seen those crazy warp-speed MTB videos with extremely distorted FOVs.
With a field of view this wide, you can make anything look fast – by simply catching more of the surroundings blitzing by.
That’s why wide FOV is such a huge selling point for DJI Action cameras and 360 cameras like the GoPro Max and Insta360 X3. The 177° GoPro Lens mod is so popular for that reason as well.
Just make sure you angle the camera in a way that it actually shows stuff, not just the sky...
Camera Position & Angle
Surely heard of the GoPro effect: The fisheye lens makes even the hardest trail look smooth and slow.
But you can take the wide field of view to your advantage! By moving the camera closer to the ground, to show it moving past quickly.
One of the biggest mistakes I see most often in POV MTB videos is the camera positioning.
It’s either pointed too far down or half the screen is the sky (or blocked by the hemet visor) – both is hard to watch.
Here are two simple checks you can use:
An easy way to do this is using the rule of thirds: having interesting stuff in every segment of the picture from the bottom to the top.
This also provides the viewer with visual cues they can relate to – they can see what’s happening. How the bike is moving. How rough or smooth the trail is.
The middle should be where you’d look ahead on the trail as a rider.
Crisp Sound with no wind
Sound is the main issue why it’s hard to feel speed in electric car videos – the familiar sound of a revving engine is missing.
And it’s similar with wind noises drowning the noises from the suspension, hubs buzzing and tires hitting the ground.
The cameras’ built-in software wind-noise reduction is a first step, but can make the audio sound overly processed and muffled. It also switches to a mono microphone.
Avoid it if you can and rather try out a foam windscreen (“Windslayer“) if you want high-quality wind-free sound. (Check video above for a sample)